Everforward

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Everforward
Everforward
Everforward
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Everforward

Maker (b. 1964, New York, New York)
Publisher (New York)
Date1993
GeographyUnited States, North and Central America
MediumLeather, metallic thread, satin
Dimensionsoverall: 14 in. x 8 in. x 7 in. (35.6 cm x 20.3 cm x 17.8 cm)
Credit LineMuseum purchase
Object number1997.53
Status
Not on view
RightsCopyright is retained in accordance with U.S. Copyright laws
Photo creditDavis Museum at Wellesley College, Wellesley, MA
More Information
Simmons is known for work across media that deploys text, sculpture, and site-specific installation to consider matters of racial stereotyping, class, masculinity, and socio-political injustice in America. Boxing has been a recurring motif and source of inspiration. Here, pristine white leather boxing gloves are tied together with white shoelaces, and emblazoned in gold thread on the cuffs, to recast the Everlast trademark with the civil rights chant: “Ever forward, never back.” Inspired at the confluence of the artist’s interests in the discourses of 1960s politics and 1990s hip-hop, the work also reflects minimalist aesthetics and conceptual tactics. In his use of mass-produced goods, Simmons references other commercial appropriations—like Warhol’s boxes—and nods to consumer culture and branding; he creates equally ambiguous connections to sport, violence, masculine identity, and African American culture. Critic Nancy Princenthal astutely attributed the tension in Simmons’ work to “the presence you can’t quite see.”
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