Storage Jar with Loop Handles

Skip to main content
Storage Jar with Loop Handles
Storage Jar with Loop Handles
Storage Jar with Loop Handles
This record is part of an active database and may include information from historic documentation that could be inaccurate or incomplete. We frequently update our records based on ongoing research and review. If you have questions, concerns, or additional information about this object, contact us via this form.

Storage Jar with Loop Handles

DateThree Kingdoms period, Gaya Federation, 42-562 C.E.
GeographyKorea, Asia
MediumStoneware with impressed and incised designs
Dimensionsoverall: 11 1/4 high x 12 diameter in. (28.6 x 30.5 cm)
Credit LineMuseum purchase
Object number1997.20
Status
On view
RightsCopyright is retained in accordance with U.S. Copyright laws
Photo creditDavis Museum at Wellesley College, Wellesley, MA
More Information

Kaya, a federation that existed from about 42 to 562 C.E. during the Three Kingdoms Period (57 B.C.E.–668 C.E.), was the most important center of early Korean ceramic production. Made from iron-rich clay with traces of natural ash, Kaya ceramics are gray or beige. The objects were fired in closed kilns, unglazed, at approximately 1800° F. Kaya ceramic jars consist of two basic types: the first, made in the third to fourth century, are large and spherical, decorated with cord marks; the other, made in the fifth to sixth century, introduce new shapes and openwork that may have been inspired by early Chinese ceramic and bronze forms––see the two-handled and “placenta” jars on view here.

After the Koryŏ Dynasty (918–1392) united the Three Kingdoms in 918, potters began to emulate the Chinese celadon of the Song Dynasty. This type of ceramic was made using fine clay from sedimentary layers, coating the object with glaze, and firing it at a higher temperature (around 2200° F) in a reducing atmosphere, in which the amount of oxygen was controlled to obtain the desired color. The ideal for celadon ceramics was a light and subtle jade tone and a glaze with a fine crackle pattern. Koryŏ celadon is distinguished by its very delicate designs. The motifs on the four bowls in the Davis Museum collection––incised phoenixes, black and white chrysanthemums, and inlaid or mold-impressed leaves and lotus flowers––are auspicious symbols of seasonal cycles, prosperity, peace, and fertility.

Chinese and Buddhist art and traditions strongly influenced Koryŏ ceramics. One of the objects here, the kundika (chong-byong in Korean), was originally used as a water sprinkler in Indian Buddhist rituals and as an attribute of Avalokiteshvara (Boddhisattva of Compassion––Guanyin in Chinese, Gwan-eum in Korean), who held it to carry the water or nectar of compassion. It became a standard Koryŏ vessel made in both celadon and bronze. Koryŏ bowls and jars were used in royal palaces and Buddhist temples for tea ceremonies, meditation, and enlightenment. 


Bowl with incised parrot design
Korean
Koryô dynasty, 12th century
Object number: 1976.20.9
Bowl with peony design
Korean
Koryô dynasty, mid-12th-13th century
Object number: 1946.19
Ritual water ewer with floral design (Kundika)
Korean
Koryô dynasty, 11th-12th century
Object number: 1963.57a
Amphora with Dragon Shaped Handles
Chinese
Tang dynasty, 8th century
Object number: 2019.1194
Michael MenchacaJulia Samuels
2017
Object number: 2018.5
Michael MenchacaHenry BrownJulia Samuels
2017
Object number: 2018.4
America First
Michael MenchacaJulia Samuels
2017
Object number: 2018.6
Jar (Guan)
Chinese
Eastern Zhou dynasty, 770-256 B.C.E.
Object number: 1969.19
Storage jar with lid
attributed to Maria Martinez
ca. 1910
Object number: 1999.93
Placenta Jar with Cover
Korean
Three Kingdoms period, Gaya Federation, 42-562 C.E.
Object number: 1998.1a-b
Henan ware bowl with handles
Chinese
Jin dynasty, 12th-early 13th century
Object number: 1976.20.4
Kore or N’golo mask
Marka
20th century
Object number: 1984.8